In the early eighties, we rebuilt the Steingraeber 205 using the design drawn up by Steingraeber's founding father - THE design that gave rise to the sound produced by Liszt's Steingraeber grand.

This model is popular for Lieder recitals, recording sessions, at conservatories and at festivals of New Music.

What makes this instrument so special is the subtle transparency of its tone, going far beyond all demands for thunderous peals of sound. The 205 chamber concert grand is THE ideal choice whenever fine distinction and precise interpretation are the order of the day.

We have managed to incorporate an unusual technical concept in this grand: although the soundboard is comparatively slim and its curvature is very rigid, the strings are extremely long. These two features provide dynamic diversity with constant clarity of tone, regardless of whether the hammer heads are set to produce a lyrical or brilliant sound.